Critic Consensus: Warrior relies on many of the clichés that critics of the genre love to mock -- and it transcends them with gripping action, powerful acting, and heart.
|Rating:||PG-13 (for sequences of intense mixed martial arts fighting, some language and thematic material)|
|Genre:||Drama, Action & Adventure|
|Directed By:||Gavin O'Connor|
|Written By:||Anthony Tambakis, Cliff Dorfman, Gavin O'Connor|
|In Theaters:||Sep 9, 2011 Wide|
|On DVD:||Dec 20, 2011|
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as Brendan Conlon
as Tommy Conlon
as Paddy Conlon
as Tess Conlon
as Frank Campana
as Principal Zito
as Colt Boyd
as Mark Bradford
as Pilar Fernandez
as Emily Conlon
as Rosie Conlon
as Dan Taylor
as J.J. Riley's Assista...
as Pete "Mad Dog" Grime...
as Karl Kruller
as Marcos Santos
as Francisco Barbosa
as Sun Chu
as Diego Santana
as Houston Greggs
as Orlando "Midnight" L...
as Tender Trap Promoter
as Mike "The Mutilator"...
as Tender Trap Announce...
as Tender Trap Referee
as Midnight Corner Man
as State Official
as Koba Entourage #1
as Koba Entourage #2
as Koba Entourage #3
as Koba Entourage #4
as Sparta Official
as A.V. Simers
as Platoon Sergeant
as Marine MP #1
as Marine MP #2
as Marine #1
as Marine #2
as Zito's Wife
as Zito's Secretary
as Diner Waitress
as Desk Girl
as Taxi Cab Driver
News & Interviews for Warrior
Critic Reviews for Warrior
"Warrior" is basically an action flick for chicks. You would not believe the amount of melodrama.
Warrior is an ode to valour-ruined men, in war, in peace, in the octagon.
Director Gavin O'Connor tries sprucing up the material by swapping out boxing for mixed martial arts, but it's still the same old story told the same old way. At least Real Steel had robots.
The punches always seem that much harder when you understand just why they hurt.
Audience Reviews for Warrior
A compelling drama that develops well the personalities and motivations of its two main characters - and although the plot is driven by several coincidences and we know exactly from the start where it is going, we end up rooting and caring a lot for the both of them.
What starts out slow with plenty of family drama between the fights soon becomes one of the most engaging and exciting sports films of recent years. You get to know the characters and start to care about them. After the training montage at half-time, the film has you by the throat and doesn't let go. Even if you're hardly interested in mixed martial arts fighting, like me, the characters, storytelling and cinematography draw you in, shake you and won't let you go until you leave the ring as exhausted and happy as the winner of the big tournament. The film's smartest decision is to keep away from stereotypes in its characterization of the main fighters, therefore making it impossible to predict the outcome. A film that starts and ends with a song by The Nation can't be bad, right? This one's even excellent.
Sports movies are tired. Have been for a while. You can see each beat coming and it all feels like a colour by numbers experience. Most of the time. Then there's Warrior.
Two brothers come together in the same Mixed Martial Arts competition for entirely different reasons to win the cash prize.
It's a pretty simple plot, and that really is it. But it's the way that such a simple story has an emotional kick like a horse which is really impressive. Each of these brothers is damaged in their own way and neither of them have really found a way to deal with the psychological distress their father has caused since the day they were born. As the movie unfolds, the extent of this damage becomes clearer and the relationship with their father more strained and defined. This emotional tension is ratcheted up notch by notch until it reaches breaking point, coincidentally at the same point that the action is at its climax. It's this beautiful choreography of emotional engagement and intense and furious action which puts this film above others of the same ilk. Gavin O'Connor's handling of these usually opposing forces is masterful; he maintains a familiar handheld style throughout proceedings but his restraint during purely dramatic moments shines through after the chaotic capturing of the action. He lingers on scenes in hotel bedrooms when a son comforts his father or when a husband makes difficult decision because it's reflective of their mindset. He blasts through the action because it's fast and brutal and over in fleeting glimpses. That being said, the fights and camerawork are choreographed so well that you're never straining to see what's going on. It's in capturing the feel of these situations with equal ease and control that O'Connor proves his mastery of the craft.
O'Connor's influence extends to the script as well. Being one of the principal writers on the film, he keeps the focus on these two brothers at the core of the story. Bringing the two of them together on a contrivance would feel like a cheat, but the way both brothers are entered into the contest feels natural and plausible, allowing the audience to maintain some illusion of reality throughout the film. Their status in the competition feels earned as well. Brendan (Edgerton) is almost a joke by the time he steps in the ring. We may be fans of his but the audience at Sparta are not. He's there after someone is forced out due to injury and he's never seen as more than a low level threat. Tommy (Hardy), on the other hand, is the contest's dark horse; a brutal, terrifying hulk who has no restraint and shows no mercy as he smacks down opponent after opponent. O'Connor is able to show us the two of these very separate characters with subtle character definitions and hints along the way, and eventually shows us the juxtaposition between the two; the contrasts, their strengths and most importantly, their weaknesses. Tommy is strong because of his anger. Brendan finds strength in the ones he's fighting for. Their climactic fight is not just a fight, it's brother vs brother with no real notion of who will actually win.
And these two brothers are played with quiet brilliance by Tom Hardy and Joel Edgerton. Hardy may now be known for playing Bane, but his performance is here is so impressive; restrained, dark and furious and completely believable that it's a crime he didn't gain his fame from Warrior. He's so powerfully withdrawn in quiet moments and understandably antagonistic in others, less understandably in others, but he plays it all with such conviction that it's astounding to see. The flip side of his coin is Edgerton who turns in an equally impressive performance as the more relatable Brendan. He doesn't have the haunted anger to play with as Hardy does, but his soulful, open performance makes him a pleasure to watch. When the two clash for the first time, meeting on a beach for a painful, angst-filled conversation, it's amazing to see the two of them finally sharing the screen. Spending most of their time apart during the film is a bold decision, but it pays off after seeing stunning duets like this one. But the film isn't sole property of these two. Nick Nolte plays their father, and his is a towering performance, full of regret and the pain of knowing the mistakes he's made and having his attempts to fix them rejected time and time again by his sons. His alcohol-fuelled breakdown is one of the more painfully beautiful moments of the film. His occasionally cloying attempts to reconnect clashes beautifully with Tom Hardy's stoicism and the two of them are wonderful together. Jennifer Morrison also has a part to play, as the life we have to hope for on Brendan's behalf. If she wasn't as charismatic as she is, our attachment to Brendan's cause wouldn't have the strength it needs to make a connection. Thankfully, she manages to maintain a realistic sense of their relationship as well as keeping up a level attraction and support for her husband that helps us to understand what he must be going through.
The music is not the main focus of the film, which is good because the original score is nothing special. Besides a few moments where Beethoven has been remixed into an action film score with great results, it's mostly stuff we've heard before. But the soundtrack is wonderful, with a great choice of sleepily beautiful acoustic based track with an amazing use of Today by The National in the final fight which adds a huge amount of emotion to a moment which is already supercharged with it.
Even though it's technically a sports movie, few of that genre have been put together as well as Warrior has. Gavin O'Connor's ability as both a writer and director shines through in every moment. Sure, it's great to see Tom Hardy pummel someone into unconscious with the self-assured savagery of a gladiator, but it's moments when we see Tommy sitting alone in his dressing room; cut off from any real connections, or Paddy's joy at barely glimpsing his grandchildren through a doorway that the film really shines.
Tommy and Brendan fight and The National starts playing. Cue the waterworks.
|Tommy Conlon:||I like what you've done with the place.There's not much of a woman's touch around here.|
|Paddy Conlon:||Yeah, well, no more women for me, Tommy.|
|Tommy Conlon:||Yeah, it must be hard to find a girl who can take a punch nowadays.|
|Paddy Conlon:||Ahab! You Godless sonofabitch! You stop the ship, you Godless sonofabitch!|
|Frank Campana:||You don't knock him out. You don't have a home.|
|Tommy Conlon:||Tiptoeing around here like a beggar with your little cup.|
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