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Elena (2012)


Average Rating: 7.9/10
Reviews Counted: 60
Fresh: 56
Rotten: 4

Critics Consensus: No consensus yet.

Average Rating: 8/10
Reviews Counted: 21
Fresh: 19
Rotten: 2

Critics Consensus: No consensus yet.


Average Rating: 3.7/5
User Ratings: 2,392


Movie Info

Winner of Cannes' Un Certain Regard Special Jury Prize, Elena is a gripping, modern twist on the classic noir thriller. Sixty-ish spouses Vladimir and Elena uneasily share his palatial Moscow apartment-he's a still-virile, wealthy businessman; she's his dowdy former nurse who has clearly "married up." Estranged from his own wild-child daughter, Vladimir openly despises his wife's freeloading son and family. But when a sudden illness and an unexpected reunion threaten the dutiful housewife's … More

PG (for thematic elements, violence, language and smoking)
Documentary , Drama , Art House & International , Special Interest
Directed By:
Written By:
Oleg Negin , Andrey Zvyagintsev
In Theaters:
Oct 30, 2012
Box Office:
Zeitgeist Films - Official Site


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Critic Reviews for Elena

All Critics (60) | Top Critics (21) | Fresh (56) | Rotten (4) | DVD (1)

Sturdy performances, fine photography from Mikhail Krichman, good use of music by Philip Glass and a pleasingly terse script make for incisive, gripping drama.

Full Review… | October 16, 2012
Time Out
Top Critic

In different hands, "Elena" might have been a noir thriller, but this serving of cinematic borscht is as cold as a Russian winter.

Full Review… | August 10, 2012
St. Louis Post-Dispatch
Top Critic

"Elena" is a riveting psychological suspense film.

Full Review… | July 19, 2012
Minneapolis Star Tribune
Top Critic

A quiet, subtle mystery whose long, penetrating takes have drawn comparisons to Andrei Tarkovsky and whose mordantly ironic conclusion may remind you of Claude Chabrol.

Full Review… | July 13, 2012
Chicago Reader
Top Critic

Zvyaginstsev makes the most of the ghastly settings, which include a backyard that ominously features nuclear cones - and the kinds of compartmentalized living spaces that Hitchcock used for droll effect in "Rear Window."

Full Review… | July 12, 2012
Seattle Times
Top Critic

It's a sort of slow-boil Russian noir, if that genre exists, and if it doesn't, it does now.

Full Review… | July 12, 2012
Arizona Republic
Top Critic

A chilly noir about the beaten paths and icy ruts of Russian life in the capital, post-Communism. In a land of schemers, Elena suggests, the urban cloisters of Moscow's elite are as self-sealing as the lowly masses' stifling Soviet-era flats.

Full Review… | May 6, 2013
Vue Weekly (Edmonton, Canada)

The kind of family drama that gives family dramas a good name.

Full Review… | January 4, 2013
Antagony & Ecstasy

Though very Russian, there is an extremely universal story at the heart of this film ...

Full Review… | November 14, 2012
Birmingham Post

A perfectly formed drama that gradually takes hold and doesn't let go.

Full Review… | November 13, 2012
The List

It's very gloomy. It's very Russian. It's as powerful as any picture released this season.

Full Review… | November 2, 2012
Irish Times

A slow-burning but engrossing drama that takes an intriguingly dark view of the sanctity of family in order to explore the ways in which bad seeds have a habit of flourishing in any environment.

Full Review… | October 29, 2012

It's a gripping, resonant tale, and Nadezhda Markina is outstanding as Elena, and far more sympathetic than perhaps she should be.

Full Review… | October 28, 2012
Observer [UK]

One of the very best Russian films of the past year.

Full Review… | October 26, 2012
This is London

It may seem slow and lugubrious but it draws you into these complex, contradictory lives the way a spider lures a fly into a web.

Full Review… | October 26, 2012
Daily Express

The mundanity of the everyday is examined, but do you really want to watch someone slowly making a bed?

Full Review… | October 25, 2012
Sun Online

A deeply satisfying film.

Full Review… | October 25, 2012

Zvyagintsev, who made The Return and The Banishment, does a good impression of constructing a world while secretly spinning a web.

Full Review… | October 25, 2012
Financial Times

A withering admonishment of capitalism and the emotional mindset that comes with.

Full Review… | October 25, 2012
Little White Lies

[An] understated but gripping drama about family ties, about the way that sometimes tensions vie with tenderness in even the closest relationships.

Full Review… | October 25, 2012
Daily Telegraph

Quietly gripping Russian drama with a thought-provoking script and a captivating central performance from Nadezhda Markina.

Full Review… | October 24, 2012

Zvyagintsev moves the story with a slow, brooding pace - aided by a somber Philip Glass score - that turns the screws patiently and inexorably toward a shattering conclusion.

Full Review… | October 19, 2012
Salt Lake Tribune

Backed by a sparing Philip Glass score, Elena eloquently shows how, in modern Russia, even family relationships are at the mercy of business.

Full Review… | October 17, 2012
Total Film

Absorbing but slow-moving family drama taking place in post-Soviet Russia.

Full Review… | October 4, 2012
Ozus' World Movie Reviews

A remarkable film...spare and acutely observed.

Full Review… | September 13, 2012
One Guy's Opinion

Audience Reviews for Elena

An intriguing drama of fascinating moral complexity and ambiguity. Through an elegant direction that makes use of several long takes, it efficiently presents the everyday life of the main character and the drastic choices she decides to make in view of some difficult circumstances.

Carlos Magalhães

Super Reviewer

'Elena'. A beautifully reserved piece of filmmaking exploring the class divide in modern Moscow.

The direction is meticulous, patient and purposeful, capturing little moments and stunning imagery. A most memorable, simple score does wonders too.


Super Reviewer

"Elena," third feature film from Russian director Andrei Zvyagintsev, is a genuine work of art, but it's not a particularly good one. Zvyagintsev thinks deeply about the human condition and brings a real artistic eye to this story of post-Soviet class formation.

But his minimalist style is underwhelming here. I didn't end up caring about the characters very much. And I think this was because of Zvyagintsev's cold style of direction and minimalist approach to story development.

He strips things to the bone, which heightens the moral issues at play. But it also denudes the film. It strips the human dimension away.

The eponymous main character is a nurse from a lower-class background who ends up marrying a wealthy patient for whom she is caring. Trouble ensues when her feckless grandson needs financial help to get into college and avoid service in the Army. Elena wants her husband to bribe the college admissions counselors. Her rich husband wants to teach the boy a lesson by not rescuing him. Conflict arises. Big time.

I won't tell you how things turn out, but I will say that something gruesome happens.

I love this basic story. I just wish Zvyagintsev was talented enough to bring it alive in a brutally compelling way. But he is not. The film is ultimately quite flat. The minimalism feels more flaccid and diffuse than incisive and penetrating. A disappointment. But it's a real pleasure to see a filmmaker with a global following bringing a serious story like this to the screen. Even when his films don't fully succeed, Zvyagintsev is a far more valuable filmmaker than someone like Tim Burton.

Bill D 2007
William Dunmyer

Super Reviewer


Vladimir(Andrei Smirnov) has been married to Elena(Nadezhda Markina), a former nurse, for the past couple of years. Since he is wealthy, she need not ask for anything material, giving her pension to her unemployed son Sergei(Alexey Rozin), so he can support his family which now includes a newborn child. Actually, there is one thing she can ask him and that is to pay for her grandson Sasha(Igor Ogurtsov) to go to university, so that he does not get drafted and a one way ticket to Ossetia. When Vladimir hesitates, she challenges him by bringing up his wayward daughter Katerina(Yelana Lyadova). Regardless, he says he will think about it.

On the surface, "Elena" has a story that is not dissimilar from any number of movies I could name. What makes the difference here is the skillful filmmaking with its shifting viewpoints in exploring the class differences in modern day Russia and the resultant moral decay. And one could say Elena's slide begins with the small step of lighting a candle for Vladimir in a church whose beliefs she does not share. On the other hand, maybe she does the wrong things for the right reasons except we are never quite clear which brings up some very interesting questions. Is Sergei actively looking for work or is he just lazy? Would Sasha ending up in the army be the worst thing for him? There is one conversation that sheds light on this between Vladimir and Katerina(who I like for this, no matter what else she may have done in her life) where she makes a great case for not having children since she would just screw them up, not make her a better person which many people would have you think. And a lot of that goes to my belief of how selfish being a parent can be which gets nicely reinforced here.

Walter M.

Super Reviewer

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