The Gold Rush (1925)
Average Rating: 8.9/10
Reviews Counted: 41
Fresh: 41 | Rotten: 0
No consensus yet.
Average Rating: 8/10
Critic Reviews: 7
Fresh: 7 | Rotten: 0
No consensus yet.
liked it
Average Rating: 4.1/5
User Ratings: 18,976
Movie Info
He may be called "The Lone Prospector" in The Gold Rush, but the character played by Charlie Chaplin is the same wistful, resourceful Little Tramp that had been entertaining the world and its brother since 1914. A most unlikely participant in the 1898 Yukon gold rush, Charlie finds himself sharing a remote cabin with two much larger and more menacing-looking prospectors: Big Jim McKay (Mack Swain) and Black Larsen (Tom Murray). Big Jim isn't really a bad sort, but Larsen is a murderer and thief.
Jun 26, 1925 Wide
May 16, 2000
Janus Films
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Cast
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Charles Chaplin
The Lone Prospector -
Georgia Hale
Georgia -
Mack Swain
Big Jim McKay -
Tom Murray
Black Larson -
Henry Bergman
Hank Curtis -
Malcolm Waite
Jack Cameron -
Betty Morrissey
Georgia's friend -
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Allan Garcia
Prospector -
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Chris-Pin Martin
uncredited -
John Rand
Prospector -
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Albert Austin
Prospector -
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George Brock
[uncredited] -
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Joan Lowell
Georgia's Friend -
Kay Desleys
Georgia's Friend -
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Barbara Pierce
Manicurist -
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Margaret Martin
Squaw -
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Tom Wood
Prospector -
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The Gold Rush Trailer & Photos
All Critics (41) | Top Critics (7) | Fresh (41) | Rotten (0) | DVD (17)
I prophesied that Chaplin, with his finer comedy and his less spectacular farce, would not be able to hold his popularity against it. What has happened is precisely the reverse of what I predicted.
The result is a sight for sore eyes, for old-style Chaplin fans and novitiates alike.
The blend of slapstick and pathos is seamless, although the cynicism of the final scene is still surprising. Chaplin's later films are quirkier and more personal, but this is quintessential Charlie, and unmissable.
The Gold Rush is a distinct triumph for Charlie Chaplin from both the artistic and commercial standpoints, and is a picture certain to create a veritable riot at theatre box offices.
Here is a comedy with streaks of poetry, pathos, tenderness, linked with brusqueness and boisterousness.
Mercifully, it lacks the pretentious moralising of [Chaplin's] later work, and is far more professionally put together.
It shows Chaplin mixing slapstick with heartbreak like nobody else could. It's plotted in an episodic fashion, but each piece of the puzzle is also a memorable, entertaining bit in and of itself.
"The Gold Rush" is wonderfully charming. The comedic bits are both memorable and humorous, the score is exquisite, and it looks pretty darn great for being as old as it is. It's timeless in the sense that it'll be enjoyable now and 100 years from now.
No one can mix slapstick and sentimentality quite like Chaplin.
Even with its (likely dictated) propaganda on behalf of the now-superfluous 1942 edition, this set restores a high watermark in cinematic comedy to nearly full glory.
Emotionally robust and genuinely hilarious in ways that transcend time and culture, it balances the witty and the sentimental and still finds plenty of room to inject the moments of underdog social commentary that were so crucial to Chaplin's worldview.
When it hit cinemas in the summer of 1925, the Berlin-premiere audience applauded Chaplin's 'dance of the dinner rolls' for so long that the film was rewound and replayed, while the BBC recorded 10 straight minutes of audience laughter at one screening.
What's surprising when one takes a fresh look at The Gold Rush is how much else there is, too, not just in terms of set pieces.
Chaplin's Klondike masterpiece.
Eighty-five years young, "The Gold Rush" is still an effective tear-jerker.
Perhaps the defining Chaplin film, and certainly his funniest.
Chaplin said that it was the movie he most wanted to be remembered for, and damn if he didn't get his wish.
City Lights might be Chaplin's most exquisite achievement, but he never made a funnier or more beloved film than his own personal favorite, Gold Rush.
Curiously melancholy yet packed with laughs, the picture's funniest moments aren't even the famous ones.
One of Chaplin's very funniest movies; not as indelibe as Modern Times, but close.
Audience Reviews for The Gold Rush
Super Reviewer
I'm not really sure which one I liked better. The original drags on (or seems that way), but with the re-release, sometimes the spoken narration, though amusing, is way on the nose and a little overbearing. It's shorter, but doesn't always feel that way. I think I might like the original more, though regardless, I'm gonna be honest and say that this film (regardless of version) is overrated.
Yeah, I know it's a sin to say such a thing, but I can't help it. I still really enjoyed it, and yeah, it's a wonderful landmark piece of art, but it didn't really seem all that hilarious to me. Maybe it's just because silent films aren't my thing. I saw a few before I watched The Artist, but that film kinda made it really hard for me to appreciate the real deal. I think I appreciate the silent era more than I actually enjoy it. In the broad annals of history though, this film is undeniably important, but as an isolated piece of entertainment, it's great, but not a Full 5.
Chaplin does his usual schitck here, though this time his Tramp character is credited as The Lone Prospector (even though he retains his trademark outfit), and the film follwos him as he tries to cash in on the adventure of seeking gold in the Yukon. Leave it to Chaplin to make struggling through some major hardships funny. Not only do he and other desperate men have to deal with their own greed and mistrust of one another, but they have to fight off the elements, starvation, and just general madness.
And yes, a lot of this is really funny and amusing. This is one of those films that's been so influential that when you finally see it, you're like, "Oh, so THAT's where this funny bit comes from!" This happened quite a bit while watching this, and I'm mostly referring to the fork/dinenr roll dance seqeunce, hallucinating that someone is a piece of food and trying to eat them, and being in cabin teetering on the edge of a cliff over certain doom.
I swear, this film must be in the Top 5 of Most Influential/Ripped Off List. Seeing the bits in their original context is great though, and Chaplin and crew are tremendous when it comes to slapstick. I'm not really that big a fan of this type of humor, but I know the good stuff when I see it. Probably my favorite bit is where two guys are fighting over a shotgun whose barrel always end up pointed at The Lone Prospector, no matter where he moves around to. It's a scream.
Are far as the technical aspects of things, this is also a top notch producction. Yeah, it hasn't aged wonderfully, but that is part of the charm, and that's what, I think, makes it more endearing than just the humor. It's sad how much the modern age and digital technology can take away from the hard work and artistry of the filmic craft.
Okay, I'm getting rambly. You should probably see this, if only for default reasons, but even then, it's a really good film. Like I said, I'm not the biggest fan of slapstick, and silent films do take a lot of getting used to, but they're really a lost art, and it was nice for me personally to finally see a full Chaplin film. The dude was a one of a kind, and it sucks that there's really no one like him around anymore.
Super Reviewer
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Foreign Titles
- Goldrausch (DE)
- The Gold Rush (1925) (UK)


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