Average Rating: 6.7/10
Reviews Counted: 34
Fresh: 26 | Rotten: 8
No consensus yet.
Average Rating: 7.2/10
Critic Reviews: 20
Fresh: 18 | Rotten: 2
No consensus yet.
Average Rating: 2.9/5
User Ratings: 1,547
Francis (André Dussollier) is a successful crime writer who moves to Venice to work on his next novel. When he meets model-turned-real-estate-agent Judith (Carole Bouquet), he is instantly infatuated. Francis and Judith eventually marry and move to a remote house on Torcello Island but Francis' newfound happiness hinders his writing. Obsessing over what Judith does while at work, he hires a young ex-convict to investigate. As Judith's sexual past is revealed both men become increasing fixated on
Jun 29, 2012 Limited
Dec 4, 2012
Strand Releasing - Official Site
Watch It Now
An exquisitely crafted, brilliant, confusing, disordered, maddening, and wonderfully flawed film that tries to show life as it is lived.
Bouquet and the waterways of Venice are the chief charms of Téchiné's movie, which is otherwise one of his less convincing efforts.
What makes the film involving is that it doesn't depend on the mechanical resolution of the plot, but on the close observation of its effects on these distinctive characters.
[Unforgivable] sets out as an account of unusual lives, finishes as a portrait of a society -- one that lives between the conventional and the openly low.
It's clearly the work of a master storyteller, conveying a rich, novelistic sense of character and a poetic feeling for the passing of time.
Francis's fluster-as evinced by Dussollier and nurtured by Téchiné-makes for a pleasure both subtle and mildly sadistic.
Though the movie lasts a reasonably brief 107 minutes, Téchiné is in no hurry to reveal his characters. We're still learning about them in the last few scenes, and our loyalties and attractions change.
Unforgivable is a bit too relaxed to function as a thriller. Though admirably unpredictable, its plot is also spread thin among these fickle lovers.
The pervasive morbidity of Venice holds the narrative together, and a melancholy that companionship, parenthood, and art can't console.
...a roundelay of obstinacy and desire, where lives are lived on their own terms, fiercely.
- Judith: Your problem is that everyone is turned on by you, but you are turned on by no one.
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